Jameson Shot: 7” EP
Jameson whiskey goes down fine, and finer still are the X-Rays! of Nottingham for supporting neighboring Ireland’s economy. What isn’t fine is the way waking up to the aftertaste of whiskey has cross-wired my brain to think that whiskey actually tastes like hangovers. But that’s my problem. For the strong eared and stomached, every song on Jameson Shot will please, neat or with ice or water. G-Man’s guitar roars with bottom dollar distortion and Gary X-Ray’s weasely shouts are perfect on tracks like “Drinking for My Baby,” crafting gleefully shitty rock of the street punk feel, minus the aggression and double the cheese. I can just get through these three tracks before the X-Rays! liquor slap overwhelms my system, which needs some watery lager (tempo changes) mixed in with the hard stuff so I can stand on solid legs and flip the record, which comes on marbled vomit grey vinyl. –Jim Joyce (Big Neck)
Scroggz Manor: CD
Scuffed-up garage rock fronted by a vocalist who switches easily between cocky crooning and blown-out shrieking (with a noted preference for the latter). “Garage” is about as worn-out and oversaturated as a genre prefix can get these days, but Fire Retarded do spice things up with some unorthodox deviations into weirdo psych rock riffage. Comparisons to The Reatards are inevitable—do you think the name’s a coincidence? This stuff is fast, frenzied, and dirty. –Indiana Laub (Big Neck)
Razorcake/Gorsky Press, Inc. just reviewed 3 of our records in issue #82. Go buy and check them out. I will post them up here, 1 a day for the next 3 days. Oddly, they have not reviewed Sonny Vincent's new album.
Trust Fun Suicide: 7”EP
Female fronted, this four piece outta DC slaps together members of Lady Cop, Electrocutions, and SWALTB. Three new garage punk songs which cast shadows of The Runaways tear off into the title track, a jangly fuck you to all the trust fund babies and their inherited swag. Sal Go, the female vocalist, spits the title like a punch to their pretty, cocaine-eaten noses. “Ice Cream vs. Gasoline” is carried by a tight guitar hook like early Bass Drum Of Death. On the flip side, “Cut by a Hog” continues the catchy guitar leading into a clear, chirping solo and Sal’s sloppy Courtney Love voice. While all of this is well and good, they sound like an opening act—there to warm up the crowd, as the material isn’t especially engaging or memorable. But the fundamentals are there and with a little time and experimentation, they’ll be headlining a dive near you. –Kristen K. (Big Neck)
Distributors and Stores
Best Freeby and Best Demo of the Week
Birthday Suits – Wonderland America
The Birthday Suites were doing an East Coast Tour last week (thank god some bands still believe in the east coast) and made a stop in DC. For all that do not know who the Birthday Suits are, they are Hideo and Mathew from Sweet JAP fame and they are the most awesome two people on this earth. Not only are they the nicest guys I have ever met, but when they are playing live you have never heard or seen two people play so LOUD and put on such a sensory overloaded show. In short they kick everyone’s ass. I mean that. I went to the show and hung out with the both of them and Hideo gave me a copy of their new single out on Asian Man Records!
Me and the Boys
There are only three two piece bands that I have ever liked in history, Bantam Rooster was the very first and it was Tom Potter that introduced me to the idea that two people could carry the stage and a full set of songs. It was the Birthday Suits who introduced me to the idea that two guys could create a wall of noise, nay a barrage of rock, no a Tsunami of Sound! They are amazing because they sound like a full band and in their new single, they do not disappoint. Great guitar hooks with Hideo’s voice lacing the song throughout with chorus after chorus. Mathew’s drumming just never ceases, Dave Grohl would stop and gaze in wonder at the abilities of Mathew and how he beats the hell out of his kit and just plain creates a beat that you can literally feel changing your heart rhythm. These three songs do not disappoint and I whole heartedly recommend pick this up ASAP.
Best Demo of the Week:
Well speaking of Tom Potter…
Aaron Aducci (ex-Blowtops) called me a couple months ago and told me that the Fatal Figures wanted to do something different. His idea was to bring Tom Potter in from Detroit for a weekend write a bunch of songs and then go record with the infamous Jim Diamond. I laughed a little, but they did it. Tom came, they wrote and they went to Diamonds. Before the trip to Detroit, Scott the drummer for the Fatal Figures ended up with a bit of a health issue, so he could not make it to record. Thank god the drummer from the infamous garage rock band The Dirtys was available to record with them. They pumped out 9 great tunes where Tom sings on 4 songs, Aaron on 3 and Tracy on 2.
You can definitely tell the difference, Tom’s songs are slightly more to the straight ahead punk rock side and brings to mind a cross between the full rock sound of the Chrome Spiders with the speed and anger of Bantam Rooster – so good. I have always loved Aaron as a lead singer and he does not disappoint, singing three song ala the same vein as the Fatal Figures, loud, noisy, Pussy Galoresque Garage Rock. The surprise is when Tracy gets up to the mic. If you know Tracy, she is one of the sweetest nicest girls I have ever met and she commands the mic in these songs. Singing a couple really poppy, hook driven punk rockers, my favorite being ‘Ovary Action’.
Great friggin demo and hopefully we will have this sucker out by the end of the year.
Record store day has come and gone and we have hundreds of people who keep asking us how to get a hold of the compilation because their local record store was not smart enought to carry it. We saved a couple hundred for this purpose.
HOLLYWOOD - Love Child it out too! This record kicks so much ass its unbelievable. If you do not believe me, go to Big Neck's Sound Cloud page and listen to "Up All Night" or "Fingers."
Both of these records are for sale in the Specials link on under the store. Click on it and buy both of them!
So tomorrow is Record Store Day and hopefully you are flocking to the store to pick up Big Neck Records RSD comp featuring The Livids (Eric Davidson from the New Bomb Turks), Xrays from the UK, Cheap Freaks from Dublin, and our very own Stop Worrying and Love the Bomb. The record is friggin great. The Livids start it off with a blistering punk rocker, “Stop Bleeding”. The Xrays take the A-side home with their charged up guitar riffs in “Six Pack Style”. We then start off the b-side with the Cheap Freaks new song acid tripping, garage scorcher,” Don’t Get Much Better Than This”, and finally Stop Worrying and Love the Bomb close out the record with another great punk rock with front woman Sal Go tearing up the vocals, “CraveCase”.
You may ask, how did this great record come to be?