I have been trying to figure out what to release for Big Neck’s 100th record. This is a big milestone in the label’s career and I wanted something to reflect the moment. I went through a lot of different ideas like maybe we will repress the Baseball Furies first 3 LPs in a box set with new covers and added material, or let’s do a compilation of all the Big Neck bands from back in the day with new songs recorded at Jim Diamond’s, or let’s find a new kick ass group to launch the label for the next 15 years. A lot of ideas came and went and then the answer fell into my lap…
Tuesday 2/3 - Madison, WI @ The Frequency w/ Yonatan Gat, Lover's Spit https://www.facebook.com/events/589619901169620
Wednesday 2/4 - Chicago, IL @ The Empty Bottle w/ MAMA, Le Tour, The Sueves https://www.facebook.com/events/330278077161117/?ref=70 Thursday 2/5 - Indianapolis, IN @ Debbie's Palace of Noise and Laundry w/ Shame Thugs, Dirtbike https://www.facebook.com/events/1580769038832752/ Friday 2/6 - Detroit, MI @ UFO Factory w/ Growwing Pains
It is an amazing DC punk record. Filled with snotty punk, great guitar hooks and killer Female/Male vocals.
Go to the store and buy!
Distributors and Stores
Scroggz Manor: CD
Scuffed-up garage rock fronted by a vocalist who switches easily between cocky crooning and blown-out shrieking (with a noted preference for the latter). “Garage” is about as worn-out and oversaturated as a genre prefix can get these days, but Fire Retarded do spice things up with some unorthodox deviations into weirdo psych rock riffage. Comparisons to The Reatards are inevitable—do you think the name’s a coincidence? This stuff is fast, frenzied, and dirty. –Indiana Laub (Big Neck)
Razorcake/Gorsky Press, Inc. just reviewed 3 of our records in issue #82. Go buy and check them out. I will post them up here, 1 a day for the next 3 days. Oddly, they have not reviewed Sonny Vincent's new album.
Trust Fun Suicide: 7”EP
Female fronted, this four piece outta DC slaps together members of Lady Cop, Electrocutions, and SWALTB. Three new garage punk songs which cast shadows of The Runaways tear off into the title track, a jangly fuck you to all the trust fund babies and their inherited swag. Sal Go, the female vocalist, spits the title like a punch to their pretty, cocaine-eaten noses. “Ice Cream vs. Gasoline” is carried by a tight guitar hook like early Bass Drum Of Death. On the flip side, “Cut by a Hog” continues the catchy guitar leading into a clear, chirping solo and Sal’s sloppy Courtney Love voice. While all of this is well and good, they sound like an opening act—there to warm up the crowd, as the material isn’t especially engaging or memorable. But the fundamentals are there and with a little time and experimentation, they’ll be headlining a dive near you. –Kristen K. (Big Neck)