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Oct 28, 2014
Category: General
Posted by: bart
 
X-RAYS!:
Jameson Shot: 7” EP
Jameson whiskey goes down fine, and finer still are the X-Rays! of Nottingham for supporting neighboring Ireland’s economy. What isn’t fine is the way waking up to the aftertaste of whiskey has cross-wired my brain to think that whiskey actually tastes like hangovers. But that’s my problem. For the strong eared and stomached, every song on Jameson Shot will please, neat or with ice or water. G-Man’s guitar roars with bottom dollar distortion and Gary X-Ray’s weasely shouts are perfect on tracks like “Drinking for My Baby,” crafting gleefully shitty rock of the street punk feel, minus the aggression and double the cheese. I can just get through these three tracks before the X-Rays! liquor slap overwhelms my system, which needs some watery lager (tempo changes) mixed in with the hard stuff so I can stand on solid legs and flip the record, which comes on marbled vomit grey vinyl.  –Jim Joyce (Big Neck)
Oct 5, 2014
Category: General
Posted by: bart

FIRE RETARDED:
Scroggz Manor: CD
Scuffed-up garage rock fronted by a vocalist who switches easily between cocky crooning and blown-out shrieking (with a noted preference for the latter). “Garage” is about as worn-out and oversaturated as a genre prefix can get these days, but Fire Retarded do spice things up with some unorthodox deviations into weirdo psych rock riffage. Comparisons to The Reatards are inevitable—do you think the name’s a coincidence? This stuff is fast, frenzied, and dirty. –Indiana Laub (Big Neck)

 

Oct 2, 2014
Category: General
Posted by: bart

Razorcake/Gorsky Press, Inc. just reviewed 3 of our records in issue #82. Go buy and check them out. I will post them up here, 1 a day for the next 3 days. Oddly, they have not reviewed Sonny Vincent's new album.

Trust Fun Suicide: 7”EP
Female fronted, this four piece outta DC slaps together members of Lady Cop, Electrocutions, and SWALTB. Three new garage punk songs which cast shadows of The Runaways tear off into the title track, a jangly fuck you to all the trust fund babies and their inherited swag. Sal Go, the female vocalist, spits the title like a punch to their pretty, cocaine-eaten noses. “Ice Cream vs. Gasoline” is carried by a tight guitar hook like early Bass Drum Of Death. On the flip side, “Cut by a Hog” continues the catchy guitar leading into a clear, chirping solo and Sal’s sloppy Courtney Love voice. While all of this is well and good, they sound like an opening act—there to warm up the crowd, as the material isn’t especially engaging or memorable. But the fundamentals are there and with a little time and experimentation, they’ll be headlining a dive near you.  –Kristen K. (Big Neck)

 

Xrays

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Sep 26, 2014
Category: General
Posted by: bart
 
Revved up punk'n'roll with wailing guitars that don't suck and snarly buncha vocals.  These are just basic drinking punk songs - so obviously don't expect a treatise on the state of humanity here - still, they play with a good level of intesity.  "Drinking for my Baby" is pretty generic tune but the bass and guitar tone is pretty rad. The last tune "Retaliate Now!" has more of a strum intro big late 80's/ early 90's grungy punk a la New Bomb Turks (who seem to be the primary influence of this band) and a bit of Mudhoney's "You Got It".  Nothing too special but not bad at the same time.
Sep 24, 2014
Category: General
Posted by: bart
Fire Retarded - Scroggz Manor LP/CD
 
Fire Retarded is a good garage rock / punk band from Madison, WI.  One of the things I like about them is they're able to inject a healthy dose of hyper punk energy into their songs and not get bogged down by garage rock cliches.  Also, every song is catchy as fuck.  The record has a perfectly fuzzy recording that suites the whole thing perfectly.  They remind me of the kind of band you wanted to see opening up for JAY REATARD, as opposed to the fucking posers who usually opened up for him.  Go ahead and get it.  I feel like this one will really grow on me over time. (GH)
Sep 23, 2014
Category: General
Posted by: bart

But I must say, '70's NYC punk influence is alive and well, still pulsing through the veins of SONNY VINCENT's work.  Songs "Jealousy," "Supernova," and "Corner Stone" are as good as anything the TESTORS could dish out.  Vincent's voice still as snotty and raw as it was in his twenties. Solid hooks, fast and anxious delivery - it's good.

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