I have been trying to figure out what to release for Big Neck’s 100th record. This is a big milestone in the label’s career and I wanted something to reflect the moment. I went through a lot of different ideas like maybe we will repress the Baseball Furies first 3 LPs in a box set with new covers and added material, or let’s do a compilation of all the Big Neck bands from back in the day with new songs recorded at Jim Diamond’s, or let’s find a new kick ass group to launch the label for the next 15 years. A lot of ideas came and went and then the answer fell into my lap…
Tuesday 2/3 - Madison, WI @ The Frequency w/ Yonatan Gat, Lover's Spit https://www.facebook.com/events/589619901169620
Wednesday 2/4 - Chicago, IL @ The Empty Bottle w/ MAMA, Le Tour, The Sueves https://www.facebook.com/events/330278077161117/?ref=70 Thursday 2/5 - Indianapolis, IN @ Debbie's Palace of Noise and Laundry w/ Shame Thugs, Dirtbike https://www.facebook.com/events/1580769038832752/ Friday 2/6 - Detroit, MI @ UFO Factory w/ Growwing Pains
It is an amazing DC punk record. Filled with snotty punk, great guitar hooks and killer Female/Male vocals.
Go to the store and buy!
The NVs is being release to the public through Altavoz in January. So we decided to give you the chance to grab it before its in the stores. Go to the New Releases under the store and buy it.
Featuring members of (Stop Worrying And) Love The Bomb, The Electricutions and Black & White Jacksons.
There is also a COMBO PACK with the Xrays from England.
Best Demo: Twin Guns
I love garage rock n roll and when I read a package that describes a sound that is a cross between Jesus and Mary Chain and the Gun Club...
Best Freebie: The Xrays – “Booze and Speed” CD
The Xrays have done it all; monster hit records in the 90’s....
Monday, November 25, 2013
The opening track, “UP ALL NIGHT” jumps into that huge pop punk sound of thick treble range guitars with an opening anthem, they literally have no choice but to get this off their collective chests. The scratchiest static sound from their guitars with beefy thick fingered chords, palming the whole instrument taking over the track, crashing in waves with macho yelling of vocals back and forth between band members. Hollywood can get away with a completely ridiculous track because they’re playing at such speed, so thoroughly thick and massive it becomes an avalanche of spazzy highs and you’re at the bottom of the hill. Drums and bass take a backseat to this front and center distortion.