But I must say, '70's NYC punk influence is alive and well, still pulsing through the veins of SONNY VINCENT's work. Songs "Jealousy," "Supernova," and "Corner Stone" are as good as anything the TESTORS could dish out. Vincent's voice still as snotty and raw as it was in his twenties. Solid hooks, fast and anxious delivery - it's good.
I remember when John Spencer Blues Explosion seemed to lead the way into something I didn’t know existed: the blown out, garage-soul, joke blues. Up until that point the blues was very serious, sad business from Robert Johnson and to combine it with wrestling ring ostentatiousness, distorted grooves and James Brown soul felt completely new. Hollywood, out of Baltimore, MD feel like an extension of that moment when you realize you don’t have to be in a band that’s trying so hard to be cool or serious or political…if you like to get drunk and listen to loud music while being a jackass, then you should do that. Just be your god damn self, that’s what’s going to work in the end. Hollywood are a bunch of jokers, blasting scuzzy distortion all over the stage and if you stop for half a second to listen to their lyrics then they’ll have you pissing your pants.