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Jul 25, 2014
Category: General
Posted by: bart

A band who seem intent on trying to be this year’s Old Firm Casuals when it comes to most mentions in The Uber Rock Singles Club are garage punk rock leg-ends The X- Rays. Seemingly not content with just releasing a mighty fine split 7" with The Hip Priests. Gary X-Ray and his bunch of reformed punk rock reprobates return via Big Neck Records with a 3 track pink vinyl 7 " all of their own. 'Jameson Shot' kicks things off in fine form too all squealing guitars and overdriven vocals, this is supershitty punk rock to the max make no mistake. 

'Drinking For My Baby' (I’m noticing a them here are you?) on the B side continues the frenzied attack bringing to mind Gary's days spent fronting those Hip Hop Priests. Whilst 'Retaliate Now' the final track here actually has guitarist G-Man conjuring up images of Wayne Kramer at times proving to be a welcome distraction to the usual nonstop chaos the guys conjure up. The X-Rays are back with a bang with this 7", but make sure you get your copy before it’s too late.

Jul 24, 2014
Category: General
Posted by: bart

Fire Retarded – Scroggz Manor

05.23.2014

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WHAM! ZWAP! KAPOW! VRONK! !OX?-ETH!

Quel bel assourdissant, Batman!

Fire Retarded plays the kind of music that warrants onomatopoeia cards. It’s second nature to them. And on their debut, Scroggz Manor, you have to imagine a ticker of these wonderful wordnoises running behind of your eyes, twixt your auditory channels....

 
Jul 1, 2014
Category: General
Posted by: bart

Yes, there were two days to the festival.  7 bands on day 2!

Read more for the review....

 

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Dec 27, 2012

Fatal Figures Review from Bob Hussy


Alright it’s been a while since I posted and I’ll be having a big batch of reviews coming soon as well as my best of 2012 list! So stick tight for that!

But! Before we get into the review for the highly anticipated debut LP by Fatal Figures we should give ya a little info about where this band came from…Fatal Figures is made up of three members of the now defunct Blowtops:  a high octane, extremely prolific beast that was a completely revered Buffalo, NY institution. Out of their ashes comes an uncompromising breath of fresh punk air.  Caterwaul is Fatal Figures debut LP (out on our good buds’ label Big Neck Records) and I know this has been in the works for close to two years. There are moments on Caterwaul that make me think of an amped up and bass-laden Bantam Rooster (“Television” and “Party Girl” most notably). The over the top drawly delivery mixed with the staggering guitar riffage harkens back to the Crypt Records catalogue in all the right ways. On the A-Side closer, “Wayne Bent”, you find the band grappling with lumbering, drugged out lows. The nonchalant vocal delivery is a perfect complement alongside the meandering bass and riveting drums that hold this dirge together.  But I think they really hit their stride on the B-Side. Most notably with the EXCELLENT cut, “New God”, where female and male vocals collide to great effect. Overall, this record will pummel you, albeit quickly….very quickly. The whole thing is a flash of wild punk aggression that’s over after nine short bursts…basically you’ll want to catch this while you can…before it flies by and yr stuck on yr couch drunk and listening to the blank hum of a stereo cranked too loud with no tunes flowin’ outta it.

Category: General
Posted by: bart

Alright it’s been a while since I posted and I’ll be having a big batch of reviews coming soon as well as my best of 2012 list! So stick tight for that!

But! Before we get into the review for the highly anticipated debut LP by Fatal Figures we should give ya a little info about where this band came from…Fatal Figures is made up of three members of the now defunct Blowtops:  a high octane, extremely prolific beast that was a completely revered Buffalo, NY institution. Out of their ashes comes an uncompromising breath of fresh punk air.  Caterwaul is Fatal Figures debut LP (out on our good buds’ label Big Neck Records) and I know this has been in the works for close to two years. There are moments on Caterwaul that make me think of an amped up and bass-laden Bantam Rooster (“Television” and “Party Girl” most notably). The over the top drawly delivery mixed with the staggering guitar riffage harkens back to the Crypt Records catalogue in all the right ways. On the A-Side closer, “Wayne Bent”, you find the band grappling with lumbering, drugged out lows. The nonchalant vocal delivery is a perfect complement alongside the meandering bass and riveting drums that hold this dirge together.  But I think they really hit their stride on the B-Side. Most notably with the EXCELLENT cut, “New God”, where female and male vocals collide to great effect. Overall, this record will pummel you, albeit quickly….very quickly. The whole thing is a flash of wild punk aggression that’s over after nine short bursts…basically you’ll want to catch this while you can…before it flies by and yr stuck on yr couch drunk and listening to the blank hum of a stereo cranked too loud with no tunes flowin’ outta it.

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