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Mar 18, 2014
Category: General
Posted by: bart

Hollywood / Mean Jeans on Big Neck Records

 

I am old. I'm not just getting old, I'm already there and as I start on the long, slow decline, the best years behind me, I rely more on bands like these guys, Hollywood and Mean Jeans to remind me of the good old days when your liver was brand new and you didn't wake up until noon. You didn't care about living with six other dudes and crates of records doubled as furniture. 

Hollywood says "(I Prefer) Drugs" these guys are ready to party, just like that Love Child of a full length...
Feb 25, 2014
Category: General
Posted by: bart

Don't forget about the Record Release show Wednesday night

 

http://dcmusicdownload.com/2014/02/24/rising-artists-the-nvs/

D.C.’s punk rock vandals The NVs has charmed the District with its brazen offerings since 2011. The quartet-comprised of vocalist Sal Go, guitarist Scott Wilson, bassist Lucas Oswalt and drummer Nathan Armstrong-recently unveiled a debut EP last fall, and will celebrate its release at DC9 this Wednesday. Before the show, I had the chance to chat with Sal about the group’s start, the new EP and future plans.

the NVs

Feb 20, 2014
Category: General
Posted by: bart

The NVs are playing their record release party this Wednesday at DC9 with Cheap Time.

 

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Dec 27, 2012

Fatal Figures Review from Bob Hussy


Alright it’s been a while since I posted and I’ll be having a big batch of reviews coming soon as well as my best of 2012 list! So stick tight for that!

But! Before we get into the review for the highly anticipated debut LP by Fatal Figures we should give ya a little info about where this band came from…Fatal Figures is made up of three members of the now defunct Blowtops:  a high octane, extremely prolific beast that was a completely revered Buffalo, NY institution. Out of their ashes comes an uncompromising breath of fresh punk air.  Caterwaul is Fatal Figures debut LP (out on our good buds’ label Big Neck Records) and I know this has been in the works for close to two years. There are moments on Caterwaul that make me think of an amped up and bass-laden Bantam Rooster (“Television” and “Party Girl” most notably). The over the top drawly delivery mixed with the staggering guitar riffage harkens back to the Crypt Records catalogue in all the right ways. On the A-Side closer, “Wayne Bent”, you find the band grappling with lumbering, drugged out lows. The nonchalant vocal delivery is a perfect complement alongside the meandering bass and riveting drums that hold this dirge together.  But I think they really hit their stride on the B-Side. Most notably with the EXCELLENT cut, “New God”, where female and male vocals collide to great effect. Overall, this record will pummel you, albeit quickly….very quickly. The whole thing is a flash of wild punk aggression that’s over after nine short bursts…basically you’ll want to catch this while you can…before it flies by and yr stuck on yr couch drunk and listening to the blank hum of a stereo cranked too loud with no tunes flowin’ outta it.

Category: General
Posted by: bart

Alright it’s been a while since I posted and I’ll be having a big batch of reviews coming soon as well as my best of 2012 list! So stick tight for that!

But! Before we get into the review for the highly anticipated debut LP by Fatal Figures we should give ya a little info about where this band came from…Fatal Figures is made up of three members of the now defunct Blowtops:  a high octane, extremely prolific beast that was a completely revered Buffalo, NY institution. Out of their ashes comes an uncompromising breath of fresh punk air.  Caterwaul is Fatal Figures debut LP (out on our good buds’ label Big Neck Records) and I know this has been in the works for close to two years. There are moments on Caterwaul that make me think of an amped up and bass-laden Bantam Rooster (“Television” and “Party Girl” most notably). The over the top drawly delivery mixed with the staggering guitar riffage harkens back to the Crypt Records catalogue in all the right ways. On the A-Side closer, “Wayne Bent”, you find the band grappling with lumbering, drugged out lows. The nonchalant vocal delivery is a perfect complement alongside the meandering bass and riveting drums that hold this dirge together.  But I think they really hit their stride on the B-Side. Most notably with the EXCELLENT cut, “New God”, where female and male vocals collide to great effect. Overall, this record will pummel you, albeit quickly….very quickly. The whole thing is a flash of wild punk aggression that’s over after nine short bursts…basically you’ll want to catch this while you can…before it flies by and yr stuck on yr couch drunk and listening to the blank hum of a stereo cranked too loud with no tunes flowin’ outta it.