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Sep 27, 2017
Category: General
Posted by: bart
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Wood Chickens - Countrycide

Countrycide, indeed! Mix fast-paced garage, punk, and hillbilly country music and you’ve got Wood Chickens. What San Francisco’s Polkacide did for polka music, Wood Chickens are doing for country music. Never fear, though, this isn’t the Nashville sound or the Grand Ol’ Opry. This is fucking hardcore punk music with lots of backwoods twang. I never would have thought this as a natural combination, but I guess in Wisconsin the cheese does weird things to your brain and it makes you come up with brilliant ideas like this. Of course it’s all tongue in cheek, but it’s quite convincing. Not everything is countrified, though. “King of Siam” is an awesome surf throwback to the 60s, and “Bones” is a breakneck paced garage track. “Satan’s Right Hand” has a Cajun sort of sound, while “Song for Flightless Birds” is a raging hardcore punk track right out of the 80s. It’s a crazy mash-up of genres here, but it works really well.

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Sep 25, 2017
Category: General
Posted by: bart

Vinyl Cave: "Countrycide" by Wood Chickens

BY  

AUGUST 14, 2017

Sep 25, 2017
Category: General
Posted by: bart

Great Review from Razorcake on the Wood Chickens LP - Countrycide. Winner, winner, Chicken dinner!

WOOD CHICKENS: Countrycide: LP

The cowpunk genre is dangerous territory for me in that I’m unfamiliar with the roots and am quite indifferent to country music entirely (from Johnny Cash to Merle Haggard to Garth Brooks: not fucking sorry). Wood Chickens are definitely doing the cowpunk thing—right down to the cow skull on the cover—but songs like “Angie Hosh,” “Hex on Me,” and “Dyin’ on the Vine” are straight-up hardcore punk not unlike Everything Falls Apart-era Hüskers. “Flesh ‘N’ Blood” is a very Minutemen-esque song that also rules pretty hard. I was almost ready to dismiss this as forgettable alt-country (the Refreshments, et cetera) or even as Flogging Molly without the fiddles and accordion, but I’m really glad I gave this a closer look because there’s so many more layers to this record than just that. Winner, winner, chicken dinner! –Juan Espinosa

 

 

History Part 4

Dec 27, 2012

Fatal Figures Review from Bob Hussy


Alright it’s been a while since I posted and I’ll be having a big batch of reviews coming soon as well as my best of 2012 list! So stick tight for that!

But! Before we get into the review for the highly anticipated debut LP by Fatal Figures we should give ya a little info about where this band came from…Fatal Figures is made up of three members of the now defunct Blowtops:  a high octane, extremely prolific beast that was a completely revered Buffalo, NY institution. Out of their ashes comes an uncompromising breath of fresh punk air.  Caterwaul is Fatal Figures debut LP (out on our good buds’ label Big Neck Records) and I know this has been in the works for close to two years. There are moments on Caterwaul that make me think of an amped up and bass-laden Bantam Rooster (“Television” and “Party Girl” most notably). The over the top drawly delivery mixed with the staggering guitar riffage harkens back to the Crypt Records catalogue in all the right ways. On the A-Side closer, “Wayne Bent”, you find the band grappling with lumbering, drugged out lows. The nonchalant vocal delivery is a perfect complement alongside the meandering bass and riveting drums that hold this dirge together.  But I think they really hit their stride on the B-Side. Most notably with the EXCELLENT cut, “New God”, where female and male vocals collide to great effect. Overall, this record will pummel you, albeit quickly….very quickly. The whole thing is a flash of wild punk aggression that’s over after nine short bursts…basically you’ll want to catch this while you can…before it flies by and yr stuck on yr couch drunk and listening to the blank hum of a stereo cranked too loud with no tunes flowin’ outta it.

Category: General
Posted by: bart

Alright it’s been a while since I posted and I’ll be having a big batch of reviews coming soon as well as my best of 2012 list! So stick tight for that!

But! Before we get into the review for the highly anticipated debut LP by Fatal Figures we should give ya a little info about where this band came from…Fatal Figures is made up of three members of the now defunct Blowtops:  a high octane, extremely prolific beast that was a completely revered Buffalo, NY institution. Out of their ashes comes an uncompromising breath of fresh punk air.  Caterwaul is Fatal Figures debut LP (out on our good buds’ label Big Neck Records) and I know this has been in the works for close to two years. There are moments on Caterwaul that make me think of an amped up and bass-laden Bantam Rooster (“Television” and “Party Girl” most notably). The over the top drawly delivery mixed with the staggering guitar riffage harkens back to the Crypt Records catalogue in all the right ways. On the A-Side closer, “Wayne Bent”, you find the band grappling with lumbering, drugged out lows. The nonchalant vocal delivery is a perfect complement alongside the meandering bass and riveting drums that hold this dirge together.  But I think they really hit their stride on the B-Side. Most notably with the EXCELLENT cut, “New God”, where female and male vocals collide to great effect. Overall, this record will pummel you, albeit quickly….very quickly. The whole thing is a flash of wild punk aggression that’s over after nine short bursts…basically you’ll want to catch this while you can…before it flies by and yr stuck on yr couch drunk and listening to the blank hum of a stereo cranked too loud with no tunes flowin’ outta it.

Previous page: History Part 3