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Sep 8, 2014
Category: General
Posted by: bart

Sonny Vincent is releasing another full length in November 2014.  Sonny Vincent and Spite, featuring Rat Scabies from the Damned, Steve MacKay from the Stooges, and Glenn Matlock from the Sex Pistols. 

Out on UltraMafic Records in November!

Aug 29, 2014
Category: General
Posted by: bart
Fatal Figures are the members of The Blowtops latest, a band I'm just getting to know also on Big Neck Records. These guys are making it happen in way way western New York where it's winter six months a year. Buffalo was the big city we would occasionally drive to to either go across the border to drink in Canada or go to Darien Lake and see a huge show. I played with someone from Buffalo who would tell me about all kinds of cool shit that was happening and I imagined living there one day. Their latest builds on that garage intensity with some hardcore influences while keeping that raw, live sound.

...... Read More...
Aug 18, 2014
Category: General
Posted by: bart

 

Sonny Vincent - 'Cyanide Consommé' (Big Neck Records)


 I'm on it and will shout from the rooftops once more: Sonny fucking Vincent has a new record out and you should buy it because it's a killer release crammed full of fourteen noisey, punk rock attitude, rock and rolla, motherfucking songs! Now thats 'Cyanide Consommé' pretty much in a nut shell!

Read the full article!

 

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Dec 27, 2012

Fatal Figures Review from Bob Hussy


Alright it’s been a while since I posted and I’ll be having a big batch of reviews coming soon as well as my best of 2012 list! So stick tight for that!

But! Before we get into the review for the highly anticipated debut LP by Fatal Figures we should give ya a little info about where this band came from…Fatal Figures is made up of three members of the now defunct Blowtops:  a high octane, extremely prolific beast that was a completely revered Buffalo, NY institution. Out of their ashes comes an uncompromising breath of fresh punk air.  Caterwaul is Fatal Figures debut LP (out on our good buds’ label Big Neck Records) and I know this has been in the works for close to two years. There are moments on Caterwaul that make me think of an amped up and bass-laden Bantam Rooster (“Television” and “Party Girl” most notably). The over the top drawly delivery mixed with the staggering guitar riffage harkens back to the Crypt Records catalogue in all the right ways. On the A-Side closer, “Wayne Bent”, you find the band grappling with lumbering, drugged out lows. The nonchalant vocal delivery is a perfect complement alongside the meandering bass and riveting drums that hold this dirge together.  But I think they really hit their stride on the B-Side. Most notably with the EXCELLENT cut, “New God”, where female and male vocals collide to great effect. Overall, this record will pummel you, albeit quickly….very quickly. The whole thing is a flash of wild punk aggression that’s over after nine short bursts…basically you’ll want to catch this while you can…before it flies by and yr stuck on yr couch drunk and listening to the blank hum of a stereo cranked too loud with no tunes flowin’ outta it.

Category: General
Posted by: bart

Alright it’s been a while since I posted and I’ll be having a big batch of reviews coming soon as well as my best of 2012 list! So stick tight for that!

But! Before we get into the review for the highly anticipated debut LP by Fatal Figures we should give ya a little info about where this band came from…Fatal Figures is made up of three members of the now defunct Blowtops:  a high octane, extremely prolific beast that was a completely revered Buffalo, NY institution. Out of their ashes comes an uncompromising breath of fresh punk air.  Caterwaul is Fatal Figures debut LP (out on our good buds’ label Big Neck Records) and I know this has been in the works for close to two years. There are moments on Caterwaul that make me think of an amped up and bass-laden Bantam Rooster (“Television” and “Party Girl” most notably). The over the top drawly delivery mixed with the staggering guitar riffage harkens back to the Crypt Records catalogue in all the right ways. On the A-Side closer, “Wayne Bent”, you find the band grappling with lumbering, drugged out lows. The nonchalant vocal delivery is a perfect complement alongside the meandering bass and riveting drums that hold this dirge together.  But I think they really hit their stride on the B-Side. Most notably with the EXCELLENT cut, “New God”, where female and male vocals collide to great effect. Overall, this record will pummel you, albeit quickly….very quickly. The whole thing is a flash of wild punk aggression that’s over after nine short bursts…basically you’ll want to catch this while you can…before it flies by and yr stuck on yr couch drunk and listening to the blank hum of a stereo cranked too loud with no tunes flowin’ outta it.