Don't forget about the Record Release show Wednesday night
D.C.’s punk rock vandals The NVs has charmed the District with its brazen offerings since 2011. The quartet-comprised of vocalist Sal Go, guitarist Scott Wilson, bassist Lucas Oswalt and drummer Nathan Armstrong-recently unveiled a debut EP last fall, and will celebrate its release at DC9 this Wednesday. Before the show, I had the chance to chat with Sal about the group’s start, the new EP and future plans.
The NVs are playing their record release party this Wednesday at DC9 with Cheap Time.
Heather and Bobby from The Hussy were passing through Brooklyn last week with a little band called Nobunny. It was one of the sold out shows they were playing supporting that bad ass up and down the east coast and even shared the stage with Mr. No at Baby's All Right, I witnessed that freaking debauchery with my own forever scarred eyes. It's awesome to see a band that's been so great from the very first single and I get equally excited when so many other people start to see it too. Why am I even talking about Bobby and the Hussy in this post? Because in addition to running his label, Kind Turkey, Bobby has been recording and mixing his own records and this single from Fire Retarded (which I instinctually spell 'reatarded') he ended up playing guitar on and joined the freaking band for a tour and maybe for good(!) last month. I'm sure the rest of these guys are great too but Bobby's involvement had me reaching to throw this on the turntable the minute I opened it up.
Review of Stop Worrying Single from 7 Inches Blog
Tuesday, June 4, 2013
A-Side "I'm haunted (and your a fucking ghost)" captures that paper-thin punk sound where those drums just won’t be contained and the mix is just bleeding all over itself. The crunchy guitars bang against Sal’s vocal with all sorts of attitude for this type of dirty pop stuff with rackety, scratchy snotty guitars, taking deep breaths and breaking into choruses. Real warped bending solo - a little bit damaged, they don’t ever let go of this heavy straightforward stomp beat and off rhythm stutter guitar. It’s a song you'd put together in a weekend garage session and then take it as serious as this in a studio.
B-Side’s “Yellow Black & Blue” is a heavy thrust of distortion, going back to 7 Seconds, and their sk8 soundtrack sound. Piled up raw drums and distortion, more manic style vocal with nothing to lose, this is the color you'd get from hours of kick flipping unsuccessfully in the church parking lot. Mike’s on this one with a semi drunken drawl, trying hard to get it out, barley forming the words to screaming and falling down. "I don't wanna be a (Low Hanging Fruit)” has a slow, more melodic beat here, with vocals screaming in an upper register - Sal Go or Mike – hard to tell sometimes, it’s not an obvious back and forth between the sexes they have a similar range and it combines into one punk party. The rest of the band joins in to round out the backup yell chorus. Strummed distorted guitars drop down to a mellow chorus, they're taking some time to get more pop in here, that fun loving pop that isn’t burdened by too much hardcore angsty bullshit and I think Jay would approve.