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Sep 8, 2014
Category: General
Posted by: bart

Sonny Vincent is releasing another full length in November 2014.  Sonny Vincent and Spite, featuring Rat Scabies from the Damned, Steve MacKay from the Stooges, and Glenn Matlock from the Sex Pistols. 

Out on UltraMafic Records in November!

Aug 29, 2014
Category: General
Posted by: bart
Fatal Figures are the members of The Blowtops latest, a band I'm just getting to know also on Big Neck Records. These guys are making it happen in way way western New York where it's winter six months a year. Buffalo was the big city we would occasionally drive to to either go across the border to drink in Canada or go to Darien Lake and see a huge show. I played with someone from Buffalo who would tell me about all kinds of cool shit that was happening and I imagined living there one day. Their latest builds on that garage intensity with some hardcore influences while keeping that raw, live sound.

...... Read More...
Aug 18, 2014
Category: General
Posted by: bart

 

Sonny Vincent - 'Cyanide Consommé' (Big Neck Records)


 I'm on it and will shout from the rooftops once more: Sonny fucking Vincent has a new record out and you should buy it because it's a killer release crammed full of fourteen noisey, punk rock attitude, rock and rolla, motherfucking songs! Now thats 'Cyanide Consommé' pretty much in a nut shell!

Read the full article!

 

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Jun 10, 2013

Review of Stop Worrying Single from 7 Inches Blog


http://7inches.blogspot.com/

Stop Worrying and Love the Bomb on Big Neck Records

 
 
It really warmed my heart to read that Stop Worrying and Love the Bomb came together when Sal and Mike met at a Jay Reatard show in 2008 and decided to start a band. I like to think in between shows in heaven Jay is looking down at Stop Worrying... and thinking, "Why would these assholes be inspired by my stupid shit?" Well, Jay you can definitely hear the loud and fast influence and pop punk timings while keeping things short and simple, jamming those chords into a tight structure with no room for psych jam time. So shut it. One more question, the Shattered Records club is totally over right?
Category: General
Posted by: bart

Tuesday, June 4, 2013

Stop Worrying and Love the Bomb on Big Neck Records

 
It really warmed my heart to read that Stop Worrying and Love the Bomb came together when Sal and Mike met at a Jay Reatard show in 2008 and decided to start a band. I like to think in between shows in heaven Jay is looking down at Stop Worrying... and thinking, "Why would these assholes be inspired by my stupid shit?" Well, Jay you can definitely hear the loud and fast influence and pop punk timings while keeping things short and simple, jamming those chords into a tight structure with no room for psych jam time. So shut it. One more question, the Shattered Records club is totally over right?

 A-Side "I'm haunted (and your a fucking ghost)" captures that paper-thin punk sound where those drums just won’t be contained and the mix is just bleeding all over itself. The crunchy guitars bang against Sal’s vocal with all sorts of attitude for this type of dirty pop stuff with rackety, scratchy snotty guitars, taking deep breaths and breaking into choruses. Real warped bending solo - a little bit damaged, they don’t ever let go of this heavy straightforward stomp beat and off rhythm stutter guitar. It’s a song you'd put together in a weekend garage session and then take it as serious as this in a studio.
 
B-Side’s “Yellow Black & Blue” is a heavy thrust of distortion, going back to 7 Seconds, and their sk8 soundtrack sound. Piled up raw drums and distortion, more manic style vocal with nothing to lose, this is the color you'd get from hours of kick flipping unsuccessfully in the church parking lot. Mike’s on this one with a semi drunken drawl, trying hard to get it out, barley forming the words to screaming and falling down. "I don't wanna be a (Low Hanging Fruit)” has a slow, more melodic beat here, with vocals screaming in an upper register - Sal Go or Mike – hard to tell sometimes, it’s not an obvious back and forth between the sexes they have a similar range and it combines into one punk party. The rest of the band joins in to round out the backup yell chorus. Strummed distorted guitars drop down to a mellow chorus, they're taking some time to get more pop in here, that fun loving pop that isn’t burdened by too much hardcore angsty bullshit and I think Jay would approve.