Razorcake #77 reviewed Big Neck's Record Store Day compilation!
Big Neck Record Store Day 7" EP
As the titled suggests, this is Big Neck's compilation contribution to this year's Record Store Day Celebration. Populating the disc are one track each by the Livids, XRays, Cheap Freaks, and Stop Worrying and Love the Bomb. All are fine bits of high-octane garage-influenced punk and I'll go out on a limb and guess the tracks are exclusive to this release--if not, what would be the point then right? If you dig any of the bands, or just like yer swaggering caboose handed to you by bands meting out raucous rock'n'roll, this is definitely worth the green and the scramble. - Jimmy Alvarado
Buy some swag and get these new stickers!
The NVs is being release to the public through Altavoz in January. So we decided to give you the chance to grab it before its in the stores. Go to the New Releases under the store and buy it.
Featuring members of (Stop Worrying And) Love The Bomb, The Electricutions and Black & White Jacksons.
There is also a COMBO PACK with the Xrays from England.
Distributors and Stores
Review of Stop Worrying Single from 7 Inches Blog
Tuesday, June 4, 2013
A-Side "I'm haunted (and your a fucking ghost)" captures that paper-thin punk sound where those drums just won’t be contained and the mix is just bleeding all over itself. The crunchy guitars bang against Sal’s vocal with all sorts of attitude for this type of dirty pop stuff with rackety, scratchy snotty guitars, taking deep breaths and breaking into choruses. Real warped bending solo - a little bit damaged, they don’t ever let go of this heavy straightforward stomp beat and off rhythm stutter guitar. It’s a song you'd put together in a weekend garage session and then take it as serious as this in a studio.
B-Side’s “Yellow Black & Blue” is a heavy thrust of distortion, going back to 7 Seconds, and their sk8 soundtrack sound. Piled up raw drums and distortion, more manic style vocal with nothing to lose, this is the color you'd get from hours of kick flipping unsuccessfully in the church parking lot. Mike’s on this one with a semi drunken drawl, trying hard to get it out, barley forming the words to screaming and falling down. "I don't wanna be a (Low Hanging Fruit)” has a slow, more melodic beat here, with vocals screaming in an upper register - Sal Go or Mike – hard to tell sometimes, it’s not an obvious back and forth between the sexes they have a similar range and it combines into one punk party. The rest of the band joins in to round out the backup yell chorus. Strummed distorted guitars drop down to a mellow chorus, they're taking some time to get more pop in here, that fun loving pop that isn’t burdened by too much hardcore angsty bullshit and I think Jay would approve.