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Jul 1, 2014
Category: General
Posted by: bart

Yes, there were two days to the festival.  7 bands on day 2!

Read more for the review....

Jun 25, 2014
Category: General
Posted by: bart

It has been over a week since the Big Neck Fest 2014 in Buffalo, NY and I think it is time to review.  Before we dive into Day 1 I want to extend my thanks out to Malik Von Saint who set all of this up.  Without him, Buffalo would have been without this festival for another few years.  He organized the nights, took care of the door, governed the money, and got those bands rolling on time (no small feat). So again THANKS MALIK!

 

Let’s start with Day 1, Thursday June 12...

May 27, 2014
Category: General
Posted by: bart

Day 2 Lineup

The Funs

Stop Worrying and Love the Bomb

Ttops

The Activations

Fleshy Mounds

Ravagers

Afterbirth Tycoon

 

Distributors and Stores

Jun 11, 2013

Terminal Boredom Review of Fatal Figures


Rich got around to opening some of the Big Neck Swag we sent him and reviewed a couple items.  Here is the Fatal Figures Review:

Fatal Figures “Caterwaul” LP

fatalfigslp

 Late Nineties Buffalo was actually a pretty happening spot in the garage scene, believe it or not. We were home to one of the best labels (Big Neck Records), the preeminent music fest of the day (Rust Belt Revolt), great record stores (Home of Hits and New World Records), great venues (and bookers) that made it easy for touring bands to stop (Sanctuary, Mohawk and others) and some of the finest bands of the era, the Blowtops being one of them. A dozen or so years later, all of those venues and stores are closed, Bart and Big Neck (along with the fest) were run out of town and relocated to Virginia and all the bands from that era have either left the city or broken up. (I should note we had another great run a couple of years ago, but that’s another story…). The Blowtops persevered through it all, closing up shop some five years ago after European and US tours, four or five full lengths and at least a dozen singles.

Category: General
Posted by: bart

Fatal Figures “Caterwaul” LP

fatalfigslp

 Late Nineties Buffalo was actually a pretty happening spot in the garage scene, believe it or not. We were home to one of the best labels (Big Neck Records), the preeminent music fest of the day (Rust Belt Revolt), great record stores (Home of Hits and New World Records), great venues (and bookers) that made it easy for touring bands to stop (Sanctuary, Mohawk and others) and some of the finest bands of the era, the Blowtops being one of them. A dozen or so years later, all of those venues and stores are closed, Bart and Big Neck (along with the fest) were run out of town and relocated to Virginia and all the bands from that era have either left the city or broken up. (I should note we had another great run a couple of years ago, but that’s another story…). The Blowtops persevered through it all, closing up shop some five years ago after European and US tours, four or five full lengths and at least a dozen singles. Fatal Figures were borne from that last Blowtops line-up (Adduci/Tracy/Scott/Creepy Dave), with Aaron taking over vocals from the departed Creepy and streamlining into a trio. Sadly, this debut LP might also prove to be their last, as serious health issues have made Scott unable to play drums any longer. ‘Caterwaul’ is a vast improvement from their debut 7” (in regards to both sound and cover art) and surely continues the Blowtops sound somewhat but bringing the NYC noise rock tendencies to the forefront (Chrome Cranks) and putting the garage vibes in the backseat. It’s really not that far off from some of the burl emanating from Australia these days, a strong bass backbone, Scott’s drumming sounds a bit more reined in but still powerful and this is honestly some of Aaron’s best guitar playing and he turns in a surprisingly great vocal turn as well. The LP is a concise nine songs recorded by Diamond Jim Diamond, “Go Down” brings to mind labelmates The Mistreaters, “Televison” seriously swings, and the 1-2 closing of “New God” and “Get Out” is the band’s finest moment. A good and loud record for noise mongers everywhere. (RK) (Big Neck Records // www.bigneckrecords.com)

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