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Feb 12, 2015
Category: General
Posted by: bart
 

I have been trying to figure out what to release for Big Neck’s 100th record.  This is a big milestone in the label’s career and I wanted something to reflect the moment.  I went through a lot of different ideas like maybe we will repress the Baseball Furies first 3 LPs in a box set with new covers and added material, or let’s do a compilation of all the Big Neck bands from back in the day with new songs recorded at Jim Diamond’s, or let’s find a new kick ass group to launch the label for the next 15 years.  A lot of ideas came and went and then the answer fell into my lap…

 

Jan 29, 2015
Category: General
Posted by: bart
Fire Retarded "GET A JOB" Winter 2015 Tour! East Coast + South
Tuesday 2/3 - Madison, WI @ The Frequency  w/ Yonatan Gat, Lover's Spit  https://www.facebook.com/events/589619901169620
Wednesday 2/4 - Chicago, IL @ The Empty Bottle w/ MAMA, Le Tour, The Sueves https://www.facebook.com/events/330278077161117/?ref=70 Thursday 2/5 - Indianapolis, IN @ Debbie's Palace of Noise and Laundry w/ Shame Thugs, Dirtbike https://www.facebook.com/events/1580769038832752/ Friday 2/6 - Detroit, MI @ UFO Factory w/ Growwing Pains
Jan 27, 2015
Category: General
Posted by: bart

It is an amazing DC punk record.  Filled with snotty punk, great guitar hooks and killer Female/Male vocals.

Go to the store and buy!

 

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Jun 11, 2013

Terminal Boredom Review of Fatal Figures


Rich got around to opening some of the Big Neck Swag we sent him and reviewed a couple items.  Here is the Fatal Figures Review:

Fatal Figures “Caterwaul” LP

fatalfigslp

 Late Nineties Buffalo was actually a pretty happening spot in the garage scene, believe it or not. We were home to one of the best labels (Big Neck Records), the preeminent music fest of the day (Rust Belt Revolt), great record stores (Home of Hits and New World Records), great venues (and bookers) that made it easy for touring bands to stop (Sanctuary, Mohawk and others) and some of the finest bands of the era, the Blowtops being one of them. A dozen or so years later, all of those venues and stores are closed, Bart and Big Neck (along with the fest) were run out of town and relocated to Virginia and all the bands from that era have either left the city or broken up. (I should note we had another great run a couple of years ago, but that’s another story…). The Blowtops persevered through it all, closing up shop some five years ago after European and US tours, four or five full lengths and at least a dozen singles.

Category: General
Posted by: bart

Fatal Figures “Caterwaul” LP

fatalfigslp

 Late Nineties Buffalo was actually a pretty happening spot in the garage scene, believe it or not. We were home to one of the best labels (Big Neck Records), the preeminent music fest of the day (Rust Belt Revolt), great record stores (Home of Hits and New World Records), great venues (and bookers) that made it easy for touring bands to stop (Sanctuary, Mohawk and others) and some of the finest bands of the era, the Blowtops being one of them. A dozen or so years later, all of those venues and stores are closed, Bart and Big Neck (along with the fest) were run out of town and relocated to Virginia and all the bands from that era have either left the city or broken up. (I should note we had another great run a couple of years ago, but that’s another story…). The Blowtops persevered through it all, closing up shop some five years ago after European and US tours, four or five full lengths and at least a dozen singles. Fatal Figures were borne from that last Blowtops line-up (Adduci/Tracy/Scott/Creepy Dave), with Aaron taking over vocals from the departed Creepy and streamlining into a trio. Sadly, this debut LP might also prove to be their last, as serious health issues have made Scott unable to play drums any longer. ‘Caterwaul’ is a vast improvement from their debut 7” (in regards to both sound and cover art) and surely continues the Blowtops sound somewhat but bringing the NYC noise rock tendencies to the forefront (Chrome Cranks) and putting the garage vibes in the backseat. It’s really not that far off from some of the burl emanating from Australia these days, a strong bass backbone, Scott’s drumming sounds a bit more reined in but still powerful and this is honestly some of Aaron’s best guitar playing and he turns in a surprisingly great vocal turn as well. The LP is a concise nine songs recorded by Diamond Jim Diamond, “Go Down” brings to mind labelmates The Mistreaters, “Televison” seriously swings, and the 1-2 closing of “New God” and “Get Out” is the band’s finest moment. A good and loud record for noise mongers everywhere. (RK) (Big Neck Records // www.bigneckrecords.com)