Jameson Shot: 7” EP
Jameson whiskey goes down fine, and finer still are the X-Rays! of Nottingham for supporting neighboring Ireland’s economy. What isn’t fine is the way waking up to the aftertaste of whiskey has cross-wired my brain to think that whiskey actually tastes like hangovers. But that’s my problem. For the strong eared and stomached, every song on Jameson Shot will please, neat or with ice or water. G-Man’s guitar roars with bottom dollar distortion and Gary X-Ray’s weasely shouts are perfect on tracks like “Drinking for My Baby,” crafting gleefully shitty rock of the street punk feel, minus the aggression and double the cheese. I can just get through these three tracks before the X-Rays! liquor slap overwhelms my system, which needs some watery lager (tempo changes) mixed in with the hard stuff so I can stand on solid legs and flip the record, which comes on marbled vomit grey vinyl. –Jim Joyce (Big Neck)
Scroggz Manor: CD
Scuffed-up garage rock fronted by a vocalist who switches easily between cocky crooning and blown-out shrieking (with a noted preference for the latter). “Garage” is about as worn-out and oversaturated as a genre prefix can get these days, but Fire Retarded do spice things up with some unorthodox deviations into weirdo psych rock riffage. Comparisons to The Reatards are inevitable—do you think the name’s a coincidence? This stuff is fast, frenzied, and dirty. –Indiana Laub (Big Neck)
Razorcake/Gorsky Press, Inc. just reviewed 3 of our records in issue #82. Go buy and check them out. I will post them up here, 1 a day for the next 3 days. Oddly, they have not reviewed Sonny Vincent's new album.
Trust Fun Suicide: 7”EP
Female fronted, this four piece outta DC slaps together members of Lady Cop, Electrocutions, and SWALTB. Three new garage punk songs which cast shadows of The Runaways tear off into the title track, a jangly fuck you to all the trust fund babies and their inherited swag. Sal Go, the female vocalist, spits the title like a punch to their pretty, cocaine-eaten noses. “Ice Cream vs. Gasoline” is carried by a tight guitar hook like early Bass Drum Of Death. On the flip side, “Cut by a Hog” continues the catchy guitar leading into a clear, chirping solo and Sal’s sloppy Courtney Love voice. While all of this is well and good, they sound like an opening act—there to warm up the crowd, as the material isn’t especially engaging or memorable. But the fundamentals are there and with a little time and experimentation, they’ll be headlining a dive near you. –Kristen K. (Big Neck)
Big Neck is SOLD on the OBN IIIs - Live Review
Scott and I rolled into the back room at the Black Cat and immediately the OBN IIIs started laying down some catchy rock n roll riffs. They were loud, they were agressive, and their songs had dynamic range. The music was great, the band was killing it, but the real winner was the lead singer Orville....
Recently I went down to the Black Cat in DC to meet Scott Wilson (Electricutions and NVs fame) for a few beers and I saw that Ex-Cult from Goner were playing. I was pretty excited because Eric from Goner does not put out bad music and I have not seen a good show in a long time.
Got to the Club, met Scott and started pouring beer down my throat. I learned immediately that the OBN IIIs were opening for the Ex-Cult, I have heard some good things about them, but nothing spectacular. Rich from Termbo just always told me that their records (put out by Tic Tac Totally) were okay.
Scott and I rolled into the back room at the Black Cat and immediately the OBN IIIs started laying down some catchy rock n roll riffs. They were loud, they were agressive, and their songs had dynamic range. The music was great, the band was killing it, but the real winner was the lead singer Orville.
I don't think I have ever seen a singer work the crowd like this guy, he was channeling a bit of Danzig and a lot of Iggy Pop and he was all over the place. Rocking the f'n venue. I was stunned, I have not seen a show, this good in a long time, by a band this good, with a lead singer that had such an amazing give and take with the crowd. One minute they loved him, the next he was pissing them off, then back to rock and love! It was a great set. Their song Nicky the Knife, got everyone into a frenzy at the end, because of the slow build up.
Why I know it was a great show, because it has been a week or more and I am still thinking about how great the band was and how charasmatic Orville as a frontman was.
The Ex-Cult hit the stage right afterward and they were damn good, but the OBN IIIs blew them away.
Big Neck is sold on the OBN IIIs and if any of those guys see this review we would love to do any record wiith them!