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Sep 22, 2014
Category: General
Posted by: bart

If you bought issue #377 of MRR you know that they reviewed all of our last 4 releases at once.  So, we will put them up here, one for each day.

First off is the NV's with Trust Fun Suicide EP

This EP gives us 3 songs of tried and true garage punk.  Poppy, fast, melodic, and sharp.  Just like your favorite MUFFS song.  These guys don't give you anything new; you've probably heard bands play songs just like these ones many times before.  But I don't think this is the kind of music meant for someone looking for something new.  It's meant for people that already know what they want and they want more of it!  And if you are looking for catchy pub-punk with attitude this will be something you like.

Sep 8, 2014
Category: General
Posted by: bart

Sonny Vincent is releasing another full length in November 2014.  Sonny Vincent and Spite, featuring Rat Scabies from the Damned, Steve MacKay from the Stooges, and Glenn Matlock from the Sex Pistols. 

Out on UltraMafic Records in November!

Aug 29, 2014
Category: General
Posted by: bart
Fatal Figures are the members of The Blowtops latest, a band I'm just getting to know also on Big Neck Records. These guys are making it happen in way way western New York where it's winter six months a year. Buffalo was the big city we would occasionally drive to to either go across the border to drink in Canada or go to Darien Lake and see a huge show. I played with someone from Buffalo who would tell me about all kinds of cool shit that was happening and I imagined living there one day. Their latest builds on that garage intensity with some hardcore influences while keeping that raw, live sound.

...... Read More...
 

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Dec 16, 2013

Chrome Spiders - Review by 7 Inches


7 Inches Blog reviewed the Chrome Spiders "Black Butterfly" 7"!

No wonder there's no bandcamp or facebook page for the Chrome Spiders. If you know the tiniest bit about stompy garage rock or the band that almost exclusively releases singles you will have heard of Detroit's Dirtbombs. The Chrome Spiders are fronted by Tom Potter from the revered band and need no more introduction than that....

Category: General
Posted by: bart

7 Inches Blog reviewed the Chrome Spiders "Black Butterfly" 7"!

No wonder there's no bandcamp or facebook page for the Chrome Spiders. If you know the tiniest bit about stompy garage rock or the band that almost exclusively releases singles you will have heard of Detroit's Dirtbombs. The Chrome Spiders are fronted by Tom Potter from the revered band and need no more introduction than that.

A-Side's "Black Butterfly" has beefy trebled up chords screeching with windmills right into a classically rock sound of heavy thud beats while sliding those muted distortion strums right in there. 'Thomas' on vocals starts out in a reasonable low creeper place and then launches into a Sam Kinison yell as the chorus starts to come into view. That's how that lady on the cover gets him every time. He's trying his hardest not to let it get to him, tonight will be different and then it's all out the window again. Dammit. The rest of the guys play a sympathetic post breakdown of this rhythm and then give in to this emotional bent chord sound. A real greaser rock that comes from beer in a can and less than reputable establishments. This power rock happens when the blues get angry. when they aren't OK with just moping around about the situation. 

B-Side's "The Whip Hand" opens on guitars in the middle of hum and feedback - the sounds that lead to heavy riffs. That screech and squeal is fine when you smother it like this. The guitars are separated between channels from Sean and Tom has that end of the night drawl, close to the mic here with his smooth velvety Cramps sound. You know that whip hand is just the thing that's going to get you interested, 'Hey, why don't you come over?' and then it's going to smack you into shape. Really you needed to maniacally laugh and crack an actual whip in the middle of the track? Isn't it bad enough I already know I'm screwed? You're just rubbing it in. Dual blues distortion riffs creak from both sides of the room and Tom is slowly convincing the whole track, guitars come back together in a big finish but Tom is just way too eager to break out that whip hand. 

Lots of talk of belts on the reverse sleeve notes and portraits of four normal, smiling dudes who are getting you to fall for putting this on again.

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