But I must say, '70's NYC punk influence is alive and well, still pulsing through the veins of SONNY VINCENT's work. Songs "Jealousy," "Supernova," and "Corner Stone" are as good as anything the TESTORS could dish out. Vincent's voice still as snotty and raw as it was in his twenties. Solid hooks, fast and anxious delivery - it's good.
Fatal Figures - Blue Zed review from 7"'s Blog!
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A-Side's "Blue Zed" has an awesome live rehearsal space sound which is a hollow marshal cave sound in the scrunched distortion sounding like the tape slowed down right before this made it to vinyl. Screaming into the void of a PA echo with a bouncy metallic bass line of thick rubber bands. This stuff has the polish of a back alley, burning garbage can with shifty characters standing around asking if you want to take a swig of this bathtub jail hooch. It's bad news and they seem to keep shooting this riff into the ground and loving it. A backyard rifle range that annoys the neighbors but god dammit they can't do anything about it.
B-Side's "Alright" is a pussy galore cover and that tape warbles to a start again with a lot more ferocity and straight ahead danger sound than the A-side that seemed to be in the middle of a lot of drinks. They spoon the cream of this thing into the gutter, taking liberties with the original the only way a band can, hell bent on reminding everyone how much that source matters. Distortions long and short, cable humm, ungrounded sizzle, solos if you could call them that, yelling into the single mic that shocks your face. I've been there. A worthy tribute with the drum stool creaking and sticks clattering to the floor.
Get this single from Big Neck Records. Sample below from their full length.