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Sep 27, 2017
Category: General
Posted by: bart
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Wood Chickens - Countrycide

Countrycide, indeed! Mix fast-paced garage, punk, and hillbilly country music and you’ve got Wood Chickens. What San Francisco’s Polkacide did for polka music, Wood Chickens are doing for country music. Never fear, though, this isn’t the Nashville sound or the Grand Ol’ Opry. This is fucking hardcore punk music with lots of backwoods twang. I never would have thought this as a natural combination, but I guess in Wisconsin the cheese does weird things to your brain and it makes you come up with brilliant ideas like this. Of course it’s all tongue in cheek, but it’s quite convincing. Not everything is countrified, though. “King of Siam” is an awesome surf throwback to the 60s, and “Bones” is a breakneck paced garage track. “Satan’s Right Hand” has a Cajun sort of sound, while “Song for Flightless Birds” is a raging hardcore punk track right out of the 80s. It’s a crazy mash-up of genres here, but it works really well.

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Sep 25, 2017
Category: General
Posted by: bart

Vinyl Cave: "Countrycide" by Wood Chickens

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AUGUST 14, 2017

Sep 25, 2017
Category: General
Posted by: bart

Great Review from Razorcake on the Wood Chickens LP - Countrycide. Winner, winner, Chicken dinner!

WOOD CHICKENS: Countrycide: LP

The cowpunk genre is dangerous territory for me in that I’m unfamiliar with the roots and am quite indifferent to country music entirely (from Johnny Cash to Merle Haggard to Garth Brooks: not fucking sorry). Wood Chickens are definitely doing the cowpunk thing—right down to the cow skull on the cover—but songs like “Angie Hosh,” “Hex on Me,” and “Dyin’ on the Vine” are straight-up hardcore punk not unlike Everything Falls Apart-era Hüskers. “Flesh ‘N’ Blood” is a very Minutemen-esque song that also rules pretty hard. I was almost ready to dismiss this as forgettable alt-country (the Refreshments, et cetera) or even as Flogging Molly without the fiddles and accordion, but I’m really glad I gave this a closer look because there’s so many more layers to this record than just that. Winner, winner, chicken dinner! –Juan Espinosa

 

 

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Sep 23, 2014

MRR Review #2 Sonny Vincent - Cyanide Consomme LP


But I must say, '70's NYC punk influence is alive and well, still pulsing through the veins of SONNY VINCENT's work.  Songs "Jealousy," "Supernova," and "Corner Stone" are as good as anything the TESTORS could dish out.  Vincent's voice still as snotty and raw as it was in his twenties. Solid hooks, fast and anxious delivery - it's good.

Category: General
Posted by: bart
Sonny Vincent is tone prolific bastard. He's been at it for almost 50 fucking years.  Best known for fronting NYC's '70's punk band Testors, he's toured throughout the years with such badasses as VELVET UNDERGROUND's Maureen Tucker and Sterling Morrison, recorded and played music with the likes of the STOOGES' Scott Asheton, Thurston Moore, Lou Reed, Cheetah Chrome, Ernie Knapp (Charles Manson) and Kim Shattuck just to name a few.  So, with all that said, I admit I'm not one to idolize. Frankly, I get sick of seeing old, chewed up punkers still stroking themselves to their unwavering groupies, mouths agape still ready to swallow.  Seriously, for fuck sake, just stop it.  But I must say, '70's NYC punk influence is alive and well, still pulsing through the veins of SONNY VINCENT's work.  Songs "Jealousy," "Supernova," and "Corner Stone" are as good as anything the TESTORS could dish out.  Vincent's voice still as snotty and raw as it was in his twenties. Solid hooks, fast and anxious delivery - it's good. I'm not a diehard fan of TESTORS or VINCENT's subsequent work, but this is pretty solid. (CR
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