Don't forget about the Record Release show Wednesday night
D.C.’s punk rock vandals The NVs has charmed the District with its brazen offerings since 2011. The quartet-comprised of vocalist Sal Go, guitarist Scott Wilson, bassist Lucas Oswalt and drummer Nathan Armstrong-recently unveiled a debut EP last fall, and will celebrate its release at DC9 this Wednesday. Before the show, I had the chance to chat with Sal about the group’s start, the new EP and future plans.
The NVs are playing their record release party this Wednesday at DC9 with Cheap Time.
Heather and Bobby from The Hussy were passing through Brooklyn last week with a little band called Nobunny. It was one of the sold out shows they were playing supporting that bad ass up and down the east coast and even shared the stage with Mr. No at Baby's All Right, I witnessed that freaking debauchery with my own forever scarred eyes. It's awesome to see a band that's been so great from the very first single and I get equally excited when so many other people start to see it too. Why am I even talking about Bobby and the Hussy in this post? Because in addition to running his label, Kind Turkey, Bobby has been recording and mixing his own records and this single from Fire Retarded (which I instinctually spell 'reatarded') he ended up playing guitar on and joined the freaking band for a tour and maybe for good(!) last month. I'm sure the rest of these guys are great too but Bobby's involvement had me reaching to throw this on the turntable the minute I opened it up.
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Get Bent did a great review of HOLLYWOOD's next record, "Love Child"
Review: Hollywood - Love Child
Certain labels get more attention that others when it come to the garage punk scene, but we’d be amiss to not keep tabs on a record label like Big Neck Records that’s been kicking out the jams consistently for almost fifteen years now. Especially since their next release is gonna blow the doors off of everyone. If you’ve been to one of the recent Mean Jeans shows this tour, you know their openers Hollywood almost stole the show and what I mean when I say I cannot wait ‘til they release their new LP Love Child later this summer.
Hollywood plays banging dirty rock n roll full of four on the floor sneering energy. They sound like a rowdy version of Flamin Groovies played at Descendents speed. Hollywood shares that same over caffeinated pop sensibilities as Mean Jeans, White Wires and their fellow Dirtnap label mates, but it’s more informed by classic rock and primal garage riffs than their peers. “Up All Night” starts Love Child off with the perfect ode to partying that could’ve been written by any bands in the Denton, Texas scene. ”19999999999999” isn’t a Prince cover, its more like the Oblivians mashed up with Les Savy Fav. “Bedtime for Bonzo” is a bent out of shape Spits meets Riverboat Gamblers punk rock firebomb. ”Space Jam” channels the best of Crypt Records scuzz, while at the same time masquerading as a cover of a Human Eye song. “(I Prefer) Drugs” is a Ponys inspired glam soaked fist pumping anthem that’ll get the kids stealing away to the bathroom to get high. Another highlight is “Snake Bite,” a New York Dolls via electric blues Detroit rock city jam sure to play on repeat.
The songs of Love Child swerve through noisy punk, furious hopped up garage and glam inspired fuzz riffs, and it’s certainly not a LP full of the same boring power chords over and over again. Keep your eyes out for Love Child and listen to “Up All Night”